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Inside Jen Mankins’ Scandi-Inspired Brooklyn Brownstone, Redone

If you’re familiar with the much-loved, much-lauded boutique empire Bird in Brooklyn, you know that the shops defined indie style in the borough for more than a decade (see the NY Times piece Saying Goodbye to Bird, “the shop that created the ‘Brooklyn Look’ of the aughts”).

Plot twist: In 2022, owner Jen Mankins closed her stores, moved to Sweden, and shifted her focus to interior design.

Here’s the backstory:

“I lived and worked in Brooklyn for more than two decades before my college boyfriend-turned-husband and I decided to move to Sweden with our twin toddler sons in 2022,” Jen says. “Our timing coincided with me landing my first professional interior design with Brooklyn-based clients I knew through Bird. Luckily, even though I was moving 4,000 miles away and embarking on a new profession, they didn’t blink an eye.”

In concert with Ingui Architecture, a NY firm known for its focus onm sustainable living, Jen designed the interiors of a six-story landmarked brownstone from 1895. Her inspiration? “Sweden has been hugely influential for me personally and continues to be a never-ending source of design inspiration. On my earliest visits to Stockholm with my husband, I was immediately drawn to the colors and patterns of Josef Frank designs championed by visionary retailer Estrid Erickson at Svenskt Tenn. I was charmed by the whimsical ceramics of Stig Lindberg and Lisa Larson. (Although I can’t deny that my first experience with Swedish design was via Ikea, the design emporium that has for over 80 years brought Swedish style to the masses.)”

Join us for a tour of Jen’s recently completed project:

Photography by Jessica Antola.

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Above:  A brass Dodo Egg Light with a painted finish from London-based Swedish designer Beata Heuman illuminates the entryway. “The stairs are painted in Benjamin Moore Chantilly Lace,” Jen says. “It ‘s a great classic soft white that has no dominant strong undertones, so it is neutral, looks great in light or shadows, and it’s bright and fresh without feeling too cold or stark. The entrance floor is tiled in classic 2-by-2-inch square black and white marble to evoke what might have been there originally. The vestibule is papered in Josef Frank’s classic Citrus Garden from Schumacher.”
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Above: “On the parlor floor, we created a neutral envelope using Color Atelier lime paint in Old White and sheer linen floor-to-ceiling curtains. We punched the interiors with color on almost every upholstered piece of furniture, printed pillows, and dining chairs, colorful lighting and lamps, and a custom checkerboard rug from Salam Hello.

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