Lime-plastered brickwork, timber boards and cork panels were used to help capture the changing light at Pine House, a terraced home in London renovated by local architecture studio Polysmiths.
Located in Peckham, the project set out to tackle what Polysmiths founder Charles Wu described as the “well-known limitations” of London’s ubiquitous Victorian terraces.
This included opening up the home’s narrow plan by carving out an expansive double-height void at its centre.
“The problems of the Victorian terrace typology became the generative brief: long, narrow proportions, a compressed rear extension, and poor daylight penetration,” Wu told Dezeen.
“The project is built around designing light itself as the primary material, to reinterpret the terrace into an open, generous home,” he added.
“The guiding principle is that light needs shadow to exist. Textures and shadows are what give a space its atmosphere.”
Key to creating a feeling of spaciousness in Pine House was establishing a single axis through its ground floor, connecting a reception room with a large bay window at the front to an angular glazed garden room sheltered by timber slats at the rear.
In between, the central kitchen and dining area sits at the base of the newly-created double-height void, illuminated by a row of windows to the south and overlooked by a small mezzanine library to the north.
“Rather than a conventional rear extension or side-return, we removed a mid-floor over the rear outrigger to create a double-height void, letting south-facing upper-level light fall through to the kitchen and living room,” Wu told Dezeen.
“The rear elevation faces south-east, which we treated as an opportunity by angling the garden room glazing further south to soften that corner and pull in more light,” he added.
The central space combines all the elements in Pine House’s material palette, with lime-washed brick walls above, timber-lined walls and storage surrounding the kitchen, and cork boards used for the ceilings and garden room’s walls.
On the first and second floors, across which four bedrooms and two bathrooms are organised, lime-washed brick walls are complemented by plastered surfaces, timber floors and tiled bathrooms.
“Interior walls were stripped to brick and given only a thin lime-plaster wash, creating a textured surface that catches changing shadow through the day,” Wu explained.
“Solid Radiata Pine boards line the main living spaces for a warm, honey-toned glow; the garden room is lined in dark expanded cork boards, chosen so southern sunlight would create strong texture and shadow contrast,” he added.
Facing the street, the home’s facade has been kept the same, save for a slatted timber fence and storage area topped with planting.
Polysmiths was founded by Wu in 2017. Previous projects by the studio include the renovation of a home in Wanstead informed by Mediterranean villas and the redesign of a basement flat in Tufnell Park to feel like a “cabin in the woods”.
The photography is by Lorenzo Zandri.
Estudio EA